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I caught wind of ‘Skeletal Lamping’ before of Montreal's ‘Hissing Fauna, are You the Destroyer?’ even dropped. The near two year wait between ‘Hissing Fauna...’ and ‘Skeletal Lamping’ was tough. Sure, I had plenty of of Montreal awesomeness to hold me over; ‘Hissing Fauna...’ was incredible, the ‘Icons, Abstract, Thee’ EP was a nice bonus, and their cover of M.I.A.'s “Jimmy” a treat. But I missed seeing them live for a second year in a row, and knowing there were all new of Montreal songs on Kevin Barnes' laptop ready to molest my ears—songs others heard live on their last tour—amped up my anticipation of ‘Skeletal Lamping’ to electric levels. The day I got it I immediately put it on my iPod and took it for a walk, intending to give it a once over. But by the second song's end I was skipping back to review and make sure I was hearing what I thought I was hearing. And what I was hearing—wild, multi-part arrangements synthesizing Bubblegum, Chamber-Pop, Garage, Glam, Prog, Punk, Funk, Synth-Pop, Alt-Rock & Twee influences, built on programmed beats & softsynths, buoyed by Disco basslines, and imbued with playful indie-isms, stereotype-shattering themes about identity, and Barnes' twistedly literate songwriting that's both otherworldly and carnal—was breathtaking.
Hey, Michael Jackson...Ya know how nobody pays you any mind unless it's to make fun of how you look or mock your alleged predilection for little boys? Have you ever wondered why you get so much attention for your eccentricities yet nobody seems to give a fuck about your music anymore? Well...It's because your songs don't sound like the Justice remix of MGMT's “Electric Feel.” Seriously, can you just get Gaspard Augé and Xavier de Rosnay on le téléphone and get to work on an album that will return you to the glory you once enjoyed during your ‘Off the Wall’ and ‘Thriller’-fueled heyday?
For rest of you reading this...“Electric Feel” was already the song of the year before those filthy French fucks got their sweaty fingerprints all over it. It was a massive tune for me and Emeyesi on our now defunct Urban Alternatives radio program. And I played it so much in my private life I found myself singing it even when I wasn't listening to it. I was singing it so much that it started driving the people around me a little nutty. And just when I and everybody within earshot thought the song had run its course the Justice remix hit and extended the song's shelf-life—and its sing-a-long cache—almost infinitely.
This easily could‘ve been my guilty pleasure song of the year, which would’ve made this the second time Wayne won that accolade. But despite the fact that I'm generally unimpressed by Wayne and actually threw his ‘The Carter III’ CD in the trash, I can't deny how important this song was this year. The minimal, bass-heavy beat from Bangladesh is every bit as important to the song's success as Wayne's sterling, non-sequitur-laced punchlines. But “A Mili” was one of those rare songs where Wayne lived up not only to his own hype but his potential as well. It was dope. It banged in the whip. And it was fun drawling along to its “a mili in here, a mili in there...coconut derriere...tougher than Nigerian hair” lyrics all Summer.
While it's true I usually reserve the guilty pleasure category for artists and songs I wouldn't typically enjoy I had to flip the script this year. You see, “Day N Nite,” the debut single from Cleveland, Ohio hipster-hopper KiD CuDi was one of my favorite songs of the year. I burned this shit—both the original mix and the Crookers version—down to a cinder. Which brings me to the fact that “Day N Nite” is a song about smoking weed. And while I‘ve enjoyed plenty of songs about drugs in my lifetime while simultaneously abstaining from them I feel a bit guilty about liking a song about a “lonely stoner” so much. I also feel an extra twinge of guilt because this year—during which I never stopped playing “Day N Nite”—I broke my prohibition against the smoking of marijuana. I’m not blaming KiD CuDi—or anyone else, other than the voters of Massachusetts who de-criminalized possession of small of amounts of herb—for my indulgences, but the coincidental timing was hard to ignore.
Yes, I said wost...Though the first ten minutes of Christopher Nolan's ‘The Dark Knight’ are amazing, the remaining 142 are a travesty that dishonors Batman—and two of the most notable rogues in his gallery—and besmirches the character's near 70 year legacy. Why? Because it reduces Batman—who possesses no super-powers but is known as “the world's greatest detective,” is a master of disguise and an amateur scientist, is trained in deadly fighting arts, who Superman himself has called “the most dangerous man on Earth,” and who's defeated Supes in combat more than once—to a growling, no-crime-solving, technological gimmick. In the comics Bats solves mysteries, beats the tar out of street toughs and defeats mentally unstable master criminals using only his wits, his physical strength and equipment he builds and maintains himself. In ‘The Dark Knight’ he doesn't solve anything, rarely fights anybody (and when he does you can't see any of the action because of shitty framing...But more on that shortly) and utilizes bullet-proof suits, Bat-Pods (with guns) and super-bat-vision (compelling neither as a story-telling device or visual effect) which his multi-million-dollar company invents and maintains. Remember that whole section where the two ferrys are rigged to explode? Did you notice, Batman didn't intervene at all? He didn't figure out what was going on with his detective skills, swoop in with his ninja skills, kick anybody's ass or defuse the bombs...The situation RESOLVED ITSELF when the people on the ferrys being threatened by the Joker's machinations THREW THE DETONATORS OVERBOARD! Not only is that lazy writing, it's a waste of time and a character who's purpose is taking action in such matters. Which brings up another thing...Christopher Nolan can't choreograph or shoot action for shit, and that's an enormous problem in a movie series about a crime fighter! And while I'm complaining about how the flick looked, why is it that Gotham, which usually has a distinct look & feel—even in Nolan's previous batflick—was suddenly so generic looking? Batman fights crime in downtown L.A. now? And I'd love to say I appreciate the actors...But Christian Bale is hidden behind a clunky suit, poor scripting and that terrible “bat voice”...Heath Ledger's Joker wasn't fleshed out enough to invest in beyond the “fun” of watching a psychopathic sadomasochist caricature—a pale imitation of Tadanobu Asano's characterization of the similarly deformed criminal madman Kakihara in Takashi Miike's ‘Ichi the Killer’ at that—which is beneath my expectations of The Joker, much less an award-worthy performance...Poor Maggie Gyllenhaal is just another dead damsel...And Aaron Eckhart—whose Harvey Dent was one of the only things I liked about the film—has what could‘ve been a triumphant arc as Two Face—if it had been left to a prospective third film—shoved down our throats in a final act rush-job that does the actor, the character, and the audience a disservice. Oh, and did I mention the movie had Deebo in it? No, really, Deebo was in a Batman movie and HE SAVED THE DAY! It pains me to say it because I love Batman so much, and comic book movies had a good year (see the far superior ’Hellboy II' and ‘Iron Man’) otherwise, but ‘The Dark Knight’ was the worst movie I saw all year...And I saw ‘The Happening!’
On the night of November 4th me and m. Cody looked at one another, said “America just elected a guy named Barack Hussein Obama president” and high-fived the fuck out of each other.
Yes, he's been dead for quite some time...But PBS ran an incredible biography on the man who is the arguable father of urban-alternative culture here in America this Summer and it made his facial follicles impossible to ignore.

These dudes went from a band I really liked...a lot...to one of my favorite bands of all time in like 3 songs. Right around the time the chorus of “Dancing Choose” began. I was blown away by ‘Return To Cookie Mountain’ but ‘Dear Science’ left me speechless. When I first gave it a listen on a drive out to Worcester all I could do was make the doo doo face. I sat in my truck in front of Miss Behavin's house until it was finished.
I played this shit at Cereffusion's wedding. I heard it on mainstream radio and called Keter up. I turned two of the kids I work with into M.I.A. fans when I played them the entire album after they asked about “the song with the cash register and gunshots in it, ya know the one from ‘Pinapple Express’.” I smiled when I heard a teenage girl singing the chorus out loud at the mall. I smiled even bigger when it was nominated for a Grammy as “Song of the Year.” So what if it dropped in 2007? It OWNED 2008!
This shit is like that Pink joint from last year mashed up with Kelly Clarkson's joint from a few years ago. Maybe because the same dude(s) produced all three. C‘mon...FOOL ME THRICE! SHAME ON ME! Katy Perry is a sexy lady though.
He's not a hero. He's a silent guardian, a watchful protector...a dark knight.

Usually You suck. In 2008, You didn‘t. Big up Yourself.


It was recently added to my CD collection and was the first CD I bought in a long time. I purchased it from the band and they actually autographed it for me and I'm regretting not getting a picture to go with it.
Anyway, if heaven had soundtrack for 2008 it would be this album. Identical twin sisters, with nearly identical vocals, Alejandra and Claudia along with former Secret Machines band member Benjamin Curtis make this album flawless.
I heart you Anthony Gonzalez, just as much as you heart the 1980‘s. There were a few songs on the album I wasn’t too keen on, like “Up!,” but there were songs that made up for them (see song of the year below). The whole album was basically a mix of various soundtracks to 80's movies in a modern twist. The one song that really stood out to me was “Skin of Night” because I could hear this song being played during the train “ride” scene in ‘Risky Business’…ooh-la-la.
Amazing song that gets me up and running every time, seriously it's on my iPod running mix. Everything about it is amazing, from the vocals to the production of the song. It's like an 80's melody that I will never grow tired of listening to. It's a great song to have a fashion show/catwalk run or make a killer dance routine to too, preferably on skates like the chicks in the video.
If you ever want me to see me get my groove on just play this song and I will be like one of those dancing flowers with the sunglasses. All I need now is a leotard and a girl dance posse.
‘Twilight’ may have been Emeyesi's favorite movie but I was torn on which movie I was blown away watching. So far ‘The Dark Knight,’ ‘Wall-E’ and ‘The Spirit’ have been my top three flicks of 2008, but if I had to choose one of them it may as well be ‘Wall-E.’
I mean ‘Dark Knight’ was amazing, when I first saw it. Then after I watched it again I realized I didn't like it as much as I had thought. Bale is one of the better actors to play Batman, sorry Clooney, but I got tired of his “I sound like Clint East wood after I took a giant dump and smoked a pack of cigs” voice and wondered how his suit could prevent bullets and knife stabs but not a dog bite!
Yeah the special effects were cool, and I enjoyed Two-Face's digital mutilated face, but for me, Health Ledger made that movie. I really enjoy psychotic characters in movies or literature and Health's performance kind of creeped me out in a good way. It's a damn shame his life ended before the movie premiered.
Anyway, so ‘Wall-E’ was my movie of the year on various levels. Its animation was superb. The beginning reminded me of a “silent movie” and Wall-E was a robot reincarnation of Charlie Chaplin. It made me laugh, it made me cry, and what I appreciated most about the movie was its message.
Global warming, consumerism and obesity were a few subjects lingering in the movie, but the main associations I made were existence and connections. Think about it, we‘re all small little beings on this great planet and yet we don’t exist until someone recognizes us or connects with us.
Though the irony is in this vast world of technology and more gadgets to link us together the more isolated we become, which was happening with the pudgy little weeble-wobble type characters. We‘re slowly becoming that society with our Bluetooths, iPods, computers at Starbucks hiding behind who we really are and missing out on the life around us.
It was a great, and clever, commentary on our society and what the future may hold if we continue being in denial about our climate crisis, isolate ourselves through gadgets and buying material possessions to keep up with the Joneses.
Also, I just love robots and any message about saving our earth, besides from the hippies, is okay by me!
Are we seriously still doing this category? C’mon! I would have boycotted it if that transgender who had the baby this year, Thomas Beattie, didn't have a beard. Well he did, and he's pregnant again!

In the past few years, I have stopped listening to full albums, so picking an album of the year is kind of difficult. But Seeing Sounds was definitely one album I listened to all the way through. It was really great to hear N*E*R*D doing what I feel they do best and doing it better than the last few releases they‘ve had.
I can listen to this song over and over and over again. It has given me a new catchphrase to say (“Bitch…you breakfast!”) and the video, which features the amazing work of Dutch artist Parra, is one of my favorites released this year. The name “Jean Pierre LeDouche” has also been permanently ingrained in my vocabulary.
Ok, I know this song was a miss with a lot of people, but for me it was a total hit. Between the strong Taiko sounding drums, the heartfelt lyrics, the funky video and the fact that Kanye was actually singing, the song as a whole was just a winner.
I feel like every year, my guilty pleasure song is a Britney track. But seriously, this song gets me dancing and I always find myself singing along with it in the shower.
Probably the only movie I really saw in the theaters this year. It was at the IMAX in London too, which just made the movie going experience that much more entertaining. Heath Ledger's Joker made the movie for me as well and all the techno gadgets used in the film (whether real or not) got my geek girl juices going.
An absolute given. The man made history and got a discontented nation to actually be interested in politics again. He gives me such hope for the future that just thinking about it makes me want to cry uncontrollably.
This choice was not made so much because the beard was that impressive, but more because it was that ridiculous. Firstly, Tom Cruise playing a bald man with a beard is just absurd. Secondly, Tom Cruise playing a JEWISH bald man with a beard who likes to dance to Flo Rida's song “Low” as a way of dealing with his problems is just so ridiculous that it actually works.

This decision was super difficult for me. Having a career to focus on really pulls your attention away from the things you love, so I spent so little time focusing on music this year. But I did manage to listen to a handful of albums and the one that came up on top was Alexis Taylor's solo ‘Rubbed Out.’ For the past year I‘ve been refining my crusade against over-edited/superficial production in music. I think it’s so disingenuous to put out an album that's so highly edited it doesn't even match the talent of the artist. Basically I hate liars. There's nothing worse for me than enjoying an album and then watching the artist perform on some late night show, only to hear the singer butcher his or her own song.
You can imagine my delight when Alexis Taylor's album dropped. ‘Rubbed Out’ is a beautifully crafted album that hits on all the quintessential songwriters techniques. Taylor's voice comes off so fragile in it's delivery of brutally honest lyrics and his music is so straightforward no nonsense that I can't help but be reminded of such artists as Jeff Mangum and Daniel Johnston. This album is exactly what I feel music should be.
Girl Talk blew my mind with this one. The whole track is phenomenal but GOOD LORD when Aphex Twin busts in, my brain melts cause it's so mind bogglingly good! Plus anyone that can make Avril Lavigne less annoying is a prodigy in my book.
Everyone knows that it's “Everyone Nose!”
N*E*R*D really outdid themselves with this joint. This shit is so hot I'm surprised there's any clubs left in the wake of its fire!
It was emulated, mocked, adored, and basically splattered all over damn place so obviously it's “Single Ladies” by Beyoncé. I admit that it's my guilty pleasure but I swear to God (even though I don't believe in him/her/it) that I am done with all the YouTube videos with people doing the “Single Ladies” choreography. Enough is enough people!
Hands down, ‘No Country For Old Men.’ You may recall I don't like going to the movies. Teenagers go to the movies and I avoid them like the plague. But on occasion Iron Giant and I will catch a matinee and enjoy having the theater to ourselves. It happened a few times this year and on one of those occasions we caught the latest Coen Brothers flick. Hot damn it was real good.
Josh Brolin's character is just as effing crazy as Javier Bardem's and it makes for some awesome dialogue. The film's adapted story fits perfect into the Coen Brothers' style and repertoire which include but are not limited to ‘Raising Arizona’ and ‘Barton Fink.’
Tommy Lee Jones delivers an absolutely chilling epilogue that creates such amazing imagery that awesomely showcases his ability to distill beautiful emotion from simple text.
Plus there's all the awesome Coen Brothers filming techniques and amazing shots that make you pine for an ounce of their talent.
See it if you haven‘t!
People...
Our next president is named Barack Hussein Obama!
You feel that?
Barack “muthafuckin” Hussein Obama!
Shit son! If it’s change you wanted then it's definitely change you received. Way to go homie!
Pregnant Trans-Man. He's his own beard! How efficient.

Epic.
In the movie version of my life, I'd marry James Pants, dance with CSS at the reception while Hot Chip plays “Ready for the Floor,” and then drive a De Lorean off into the sunset as Mr. and Mrs. Pants while “Couleurs” plays over the credits.
KiD CuDi somehow infiltrated the monopoly Rihanna, Akon, and T-Pain have over L.A. radio stations to get regular airplay on Power 106. Impressive. And awesome.
I Am...Sasha Boring, including this song, but damn, I love that video!!
So the song's misogynistic. I really can't get enough of the way he says “Let-me-put-this-big-boy-in-your-life!”
Reason number 1:

Reason number 2:
Those are some real special effects.

It's just so versatile.

It's the album I rocked the hardest all year.
It's written in Cyberstone.
The DJ Ayres remix of “Roof” with Wale was a deep, retro Disco-Rap monster. - EL KETER BEN TZADIK
My voice was on it. - EL KETER BEN TZADIK
I swear the first time I heard the single “Chasing Pavements” I thought she was saying “chasing penguins.” Oh well, she still has a great voice. - MISS BEHAVIN'
Ironic title for a band that sounds like an airline. I was listening to this album while in my studio one night and got a jolt of creation while listening to it. I wanted to meditate, then dance. Not bad for a 6 song EP. - MISS BEHAVIN'
One of these days I'm going to record my homemade video for “Plastic Man.” It's going to rule. - EMEYESI
I spent a lot of time this Summer sitting on a bench on an inner-city streetcorner singing along to “Cobwebs.” - EL KETER BEN TZADIK
Tracks like “Army of Foxy” and “She Lion” stood out like fun, flirtatious updates to the ‘60s French pop sound. - R-UH
Not sure how this got onto my iTunes but I read their name as Gang Bang and thought the album sounded like a terrible soft-core cover of Smashing Pumpkins. - MISS BEHAVIN'
Some broad on Craigslist posted an add asking a stranger to come over and listen to this album with her the other day. I e-mailed her and told her that I liked their debut more. Yes, I'm a nerd. - EL KETER BEN TZADIK
I wish listening to “Gamma Ray” turned people into the Hulk like real gamma rays do. If it did I'd be running through the streets in my torn pants turning over cars and shouting “TRANSISTOR SOUND, SMASH!” - EL KETER BEN TZADIK
Beck + Dangermouse = Delicious - EMEYESI
All I can think of when listening to “Gamma Ray” is the original Mouse Club kids dancing on the beach and surfing the waves. Amazing! Another Danger Mouse album that was produced for a 2008 album release, does either him or Beck sleep? - MISS BEHAVIN'
Bass! - EL KETER BEN TZADIK
Beard! - EL KETER BEN TZADIK
“Some Way Through This” was a monster. The Skream and Plastician remix mutated it into a city-destroying ‘Cloverfield’ monster. But the album was way too long in coming. - EL KETER BEN TZADIK
Was it worth the wait? Fuck yes. This shit THUMPS! - EMEYESI
I'm still digesting this album. I love the beats in all the songs and all the songs sound amazingly different, but at times I found myself having a love/hate thing for Simon Lord's voice, which is odd because I really liked his voice on Simian Mobile Disco's single “I Believe.” It works for some songs on the album but on others his style wasn't doing anything when the beats were so powerful. - MISS BEHAVIN'
Can't go wrong with this album or many albums produced by Danger Mouse. One of those albums you need to play on a long drive to nowhere. Album has its highs and lows but my favorite tune is “Psychotic Girl.” - MISS BEHAVIN'
I like the rougher quality of the original demos better. But their official debut had a bunch more songs on it, which made up for the differences, and made me fall in love with these kids all over again. - EL KETER BEN TZADIK
I actually liked this Prince-jacking mixtape more than his album. - EL KETER BEN TZADIK
Some people care about Nas and Lil Wayne...Some follow rappers like Plies and Flo Rida...But people who actually love Hip-Hop listen to records like this. - EL KETER BEN TZADIK
After the “Flux” single dropped I demanded an entire album that sounded like that. I didn't think they'd deliver...But they did. - EL KETER BEN TZADIK
There were three or four albums that I really was into this year. This was one of them. - EMEYESI
Winter has allowed me to be in touch with my sad bastard side, the cold dark days where I want to do nothing. So if you need an album to daydream then weep to then this is your 2008 album for that. - MISS BEHAVIN'
Like drinking a big glass of silk in the sunshine. And by “silk” I mean silk the fabric, not the soy milk...Even though it's also as sweet-n-refreshing as drinking a big glass of the chocolate flavored version of that stuff with lots of ice-cubes in it too! - EL KETER BEN TZADIK
Puerto Rico, ho... - EL KETER BEN TZADIK
Los Angeles emcee Blu can do no wrong. And when he teamed up with Detroit rapper/producer Ta‘Raach as C.R.A.C. no wrong was done. This album was a triumph for progressive Hip-Hop, showing that the genre doesn’t have to sacrifice its experimental spirit at the expense of true-school grit. - EL KETER BEN TZADIK
“House Music” was the fucking jam. - EL KETER BEN TZADIK
Cansei de Ser Sexy always knows how to get me off my ass and dance. That's exactly what happened when I put on “Rat is Dead (Rage),” true fact. - MISS BEHAVIN'
Why did everyone hate on this album like it didn't have the energy of their debut? Sure, it sounds more polished but since when does polish=boring? This was some serious poppy fun. - R-UH
Not as raw as their first EP, but still outstanding, and it had The Cool Kids on it. - EL KETER BEN TZADIK
The eden ahbez of contemporary breakbeat Jazz/Funk fusion dropped another irresistible banger without giving up so much as a clue as to who's really behind the beard. - EL KETER BEN TZADIK
I saw a lot of heads shit-talking this, but what the fuck do they know? The title-track was a dancefloor gem and there was only one song on the entire album I wasn't feeling. Com's fifteen year, 8-album track-record is pretty unprecedented in Hip-Hop. - EL KETER BEN TZADIK
Sure we heard all these songs before, but ‘The Bake Sale’ was one of the best Hip-Hop albums of the last decade. Seriously...If you didn't like this record you don't like Hip-Hop, and you can go fuck yourself. - EL KETER BEN TZADIK
Finally! Throw in all the other mixtapes, EPs etc. etc...These dudes got much burn this year. - EMEYESI
Album started off hopeful and “hip” but I got annoyed with it quickly with the over-abundance of hyper video game noises. Did they set base in an arcade and go to town? - MISS BEHAVIN'
Another album I burned into the ground. These dudes wowed me with this one. - EMEYESI
Runner up for the best album of the year....It still is the best album I listed to this Summer. I played it nearly every day and everywhere. “Lights and Music” is one of my ring tones at the moment and has been since the album was released. - MISS BEHAVIN'
Beautiful and funky, etheric and mechanical, this was Daedelus' best yet. - EL KETER BEN TZADIK
How does a Japanese dude make prettier, funkier, more soulful Pop music with a laptop and some voice-altering software than the entirety of the American music industry with all their millions of dollars and lavish recording equipment? - EL KETER BEN TZADIK
The over-abundance of YouTube videos for this album cheapened it a little, but it was every bit as exceptional as their last couple of LPs. - EL KETER BEN TZADIK
If you liked the Daedelus joint you need this. - EL KETER BEN TZADIK
What Lykke Li will sound like when she grows up. - EL KETER BEN TZADIK
His next one is better, but shhhhhh... - EL KETER BEN TZADIK
Love her, love her voice, and she can make any song sound just right. - MISS BEHAVIN'
The album cover made me reminisce about Gunther Gable Williams. - EL KETER BEN TZADIK
She sang “started with a rhyme from old ancient times, descedants of warlocks, witches with ill glitches, children of the matrix we be hittin' them car switches, seen some virgin Virgos hangin' out with Venus bitches” on a major-label R&B album! Oh, and that major label was Motown. Talk about progressive! Badu set the standard that R&B artists will be failing to meet for years with this one. - EL KETER BEN TZADIK
MF Doom didn't put out an album in ‘08, but Esoteric continued his career rehabilitation by putting out a Japanese-themed LP of songs that sampled Japanese artists which filled the Metal Faced villain’s absence really well. This one made Eso seem as unstoppable as the kaiju creatures he references throughout the album. I hope he maintains his position and delivers another classic in ‘09. - EL KETER BEN TZADIK
I almost missed the Fleet Foxes party. They and their song “White Winter Hymnal” were featured on this Current TV snippet and I became obsessed with it. The album and its lush harmonies became the perfect soundtrack as Winter began to settle in here in New England. - EMEYESI
I find myself drawn to more and more artists/bands that have that mellow indie-folk-rocker sound. Does it make me want to go live in a cottage and sit on my rocking chair and play the banjo at night? Yes, but only during those warm Summer nights. I really enjoyed this album. - MISS BEHAVIN'
This album's “Bump...bump...ba-bump...clap...skeee-weeee-weee-woooooo...Bump...” sound should quiet most of the Dilla comparisons for a while. - EL KETER BEN TZADIK
Don't get me wrong, I liked Little Brother, but they grew increasingly uninteresting leading up to their partial breakup last year. And the truth is, after hearing ‘Leave It All Behind’—where LB frontman Phonte abandons rapping in favor of singing—I don't care if I hear another Little Brother record—or a record where Phonte raps—again. This was R&B at its purest and most enlightened. - EL KETER BEN TZADIK
You know all that shitty drug, money and sex-saturated radio and party Rap everybody likes so much? Well, Serengeti and Hi-Fidel made an album making fun of it and managed not only do it better than all the chumps on the radio, but make the shit sound good in the process. Oh, and they made the whole album a continuous story that's actually linear and compelling. - EL KETER BEN TZADIK
If James Pants never bathed and only recorded on a four-track cassette recorder he'd sound like this dude. - EL KETER BEN TZADIK
I think Greg Gillis can do what he does with all these songs because he doesn't really care about them, he just cares about what he's doing with them. Ultimately it's not a mixtape or a mashup, it's collage art...And it‘ll rock the fuck out of your party. - EL KETER BEN TZADIK
Peep Keter’s breakdown on Blogarythms....Dude nailed it. This shit was in heavy rotation all Summer long. - EMEYESI
You can never judge a group by its title! I did and I was wrong about it being a girl pop band. One of my favorite “I mean business”-mode albums. Fantastic. - MISS BEHAVIN'
What a thick Scottish accent James Allan has! I had to read the lyrics to figure out what exactly he was saying. Especially for my favorite song on the album “Geraldine.” - MISS BEHAVIN'
I feel like Cee Lo and Danger Mouse's sophomore LP receieved a subdued reception because it lacked a “Crazy”-magnitude hit. But it was every bit as good as ‘St. Elsewhere’ and helped cement these guys as two of only a handful of geniuses working in contemporary Pop music. - EL KETER BEN TZADIK
So good! One of those 3 or 4 albums that really caught my ear. - EMEYESI
I can't begin to count how many times I‘ve sang along with the words “If you don’t look good then I don't look good and we don't look good...Oh, oh...Workin' together...Oh, oh...livin' together...Oh-oh-oh-oh-oh-oh-oh...” during the last year. But trust me, it's a lot. - EL KETER BEN TZADIK
My ladyfriend's godmother often inquires as to when she and I might procreate, going so far as to suggest it's a good idea. To this, I retort “I need some clothes right now...I need shoes...I can't afford no baby.” - EL KETER BEN TZADIK
I didn't pay this album much attention when it dropped. I found the white label of “She Won't Stay at Home” in my stacks the other day while organizing my vinyl and put it on to see what the hell it was. I immediately regretted not listening to it more. - EL KETER BEN TZADIK
A Swedish dude afflicted with rhotacism made an album that straddles the line between Jens Lekman's ‘When Night Falls Over Kortedala’ and Alexis Taylor's ‘Rubbed Out,’ and it's dope. - EL KETER BEN TZADIK
This shit sounded like somebody took Antony Hegarty on a whirlwind tour of 1980's New York clubland, and the result was the most heart-stopping exercise in Disco gender-bending since Slyvester. - EL KETER BEN TZADIK
Did I hear James Murphy sneak “You Belong” into his Special Disco Version set during my trip to SF? Yes I did. Special shoutout to their b-side “Shadows”. One of my favorite joints of 2008. - EMEYESI
The name is spectacular--due to Andy Butler's interest in Greek mythology--and so is the album. Though I couldn't tell if it was a dude or chick singing when I first heard them, but that's never a bad thing! - MISS BEHAVIN'
They dropped a member, and the umlaut, but their charmingly off-kilter Folk-Pop was still a thing of beatuy and wonder. - EL KETER BEN TZADIK
Chubby, bespectacled indie girl + synthesizers = awesome - EL KETER BEN TZADIK
I'm looking forward to an official release from this guy. And I think he's kind of good looking. - R-Uh
Could this have easily been my album of the year pick? Hell yes. After all, they‘re my “number one guy(s).” - EL KETER BEN TZADIK
I still give this album major burn in the ride. The Hot Chip boys made me think about getting a ridiculous boomin’ system this Summer. - EMEYESI
How he put out an album entirely produced by his legendary brother while simultaneously stepping out from that brother's shadow I don't know...But he did. - EL KETER BEN TZADIK
Better even than their self-titled debut from last year, and it's only four songs! - EL KETER BEN TZADIK
The Stones Throw fanbase didn't know what to do with James Pants. Apparently listening to his debut and aknowledging it as one of the best albums of the year never crossed their mind. They can all fuck off and die. - EL KETER BEN TZADIK
One of my favorite dudes of 2008. - EMEYESI
I already mentioned I want to marry him right? - R-UH
How could I not dig on manic art-school Punk with 808 drum-beats and the former leader of Crass dropping creepy spoken word? - EL KETER BEN TZADIK
Why do I always like her solo shit so much more than Rilo Kiley? I dunno, but “Pretty Bird” was my shit. - EL KETER BEN TZADIK
A dark, stripped-down departure from last year's Joy Division-esque “Airwalker,” but the minimalist, dreamlike, Velvet Underground-inspired soundscape was a delight to explore. - EL KETER BEN TZADIK
I think I liked this collection of retro bedroom-Pop psychedelia better than his debut. - EL KETER BEN TZADIK
Anybody who complains about Hip-Hop in 2008 isn't listening to enough Blu. They need to cut down on the amount of bullshit they expose themselves to and concentrate on the artists moving the genre forward instead. Seriously, Blu and the emcees in his class (Serengeti, Black Spade, Tone Tank, Wale, The Cool Kids, etc.) are so dope they make it easier to act like all the shitty Rap music that clogs radio airwaves, blogs and message boards doesn't exist. - EL KETER BEN TZADIK
Ooh wee! This album really grabbed me. Beats...Rhymes...Shit was raw, and it bumped all the way through. - EMEYESI
Sure, he kinda ripped off the game-show concept from De La Soul's '3 Feet High and Rising,' but I'm just happy someone in the Hip-Hop community knows what a “concept album” is and can execute one competently. - EL KETER BEN TZADIK
“Robot voice, robot voice, all the kids love the robot voice...” even this one. I wrote a dissertation on Blogarhythms about how this album should‘ve sucked, but didn’t. Whatever ‘Ye’s story might be, I believe he got his heart broken, made a bunch of songs about it and in the process got to thinking “autotune can probably make anybody sound cool” and decided to experiment with it. When the resulting songs didn't suck he said “I already have tons of fans and millions of dollars, putting a record like this out isn't a risk at all.” And it wasn‘t. - EL KETER BEN TZADIK
I could go on and on about this album but I just want to touch on how all the kids I work with are really, really into it. Most requested song of 2008 in Emeyesi’s ride by the under 18 crowd? “Love Lockdown.” - EMEYESI
Mixtape? Free? Shit I would have paid for this. One of the standouts from 2008. Dude had so many dope joints on this. “Day 'N' Nite” + the Crookers remix? Ooh wee! One of the best tracks of the year without a fuckin' doubt. - EMEYESI
I had no expectations from these dudes but “Drivin' Down the Block” really caught my attention and the album surprised the hell out of me. Great LP! - EMEYESI
Had a few winner songs on this album but the rest of it was a boom boom (a.k.a. doody). They remind me too much of the Yeah Yeah Yeahs, whom I enjoy. But I guess I‘ve grown tired of the girl/guy rock duo groups who all sound alike. - MISS BEHAVIN’
Yeah, it was a kids album. But any Kimya album's bound to be a good album. And even a kids album is bound to be smart, subversive, funny and touching if it's coming from Kimya. - EL KETER BEN TZADIK
This “hits” collection from the roving, retro, India-themed Garage-Rock/Soul revue made me want to go all Mola Ram on motherfuckers and start tearing people's hearts out of their chests this Summer. Well, that and it made me want to throw a BBQ so I could invite people over to dance to its sixteen party-rocking tracks all night. I didn't end up doing either...Weak. - EL KETER BEN TZADIK
Yes, I listen to the countrified sounds of songs like “Buggin' Blues” while riding the city bus through the hood in my hoody and SB Dunks. - EL KETER BEN TZADIK
“With Every Heartbeat” was one of my favorites of the past year. Throw in the cover version by Grovesnor for good measure. - EMEYESI
This album of sleepy-time Hip-Hop beats and folky singing was one of the sleepers of ‘08. - EL KETER BEN TZADIK
I don't drink alcohol, but “Cherry Lime Rickey” was one of the most refreshing Hip-Hop tunes of the year. - EL KETER BEN TZADIK
Sexy kick-ass rocker chick album. It was inches away from being one of my top albums of the year because it was that good! Ladyhawke had me at the single “Paris is Burning.” - MISS BEHAVIN'
These dudes sounded like Hot Chip. - EL KETER BEN TZADIK
It's a damn shame I didn't have “Breakfast” as my song of the year. I sent that to everyone. If I hear that shit in a club imma have a flashback to 1992. - EMEYESI
So did these dudes. - EL KETER BEN TZADIK
I would totally make out with this kid. - EL KETER BEN TZADIK
Adorable duo out of New Zealand. Lemme quote myself: “So good...I'm talking ‘Oh my face’ goodness...I'm serious.” - EMEYESI
Did a sexy young Swedish girl actually release a single where she cooed the words “for you I keep my legs apart, and forget about my tainted heart” this year? Yes, she did. And it propelled her self-released debut to the top of my list of favorites. - EL KETER BEN TZADIK
I‘ve always been a fan of Anthony Gonzalez’s work, but dude hit it out of the park on this one. An ode to 80's films? Fuck yes! Catching him and his crew live this year was without a doubt a major highlight. - EMEYESI
I went from anticipating this album to thinking the single was stupid to owning it and not listening to it to liking it and thinking it was sorta slept on. - EL KETER BEN TZADIK
Not the Madvillainy sequel we'd been promised, but still dope. - EL KETER BEN TZADIK
I can only think that this is what Justice would sound like if they were a Punk band. - EL KETER BEN TZADIK
This album sounds like all the screaming joyful parts of your teenage years. - R-UH
Danger Mouse produced an entire album for Tricky's former muse and nobody but me seemed to give a fuck. - EL KETER BEN TZADIK
“Get Better” should‘ve been the song that played when Obama won the Democratic nomination instead of that piece of Country crap they used. - EL KETER BEN TZADIK
Oh, you mean you‘ve never heard of this bearded white dude who Raps over Dubstep-esque beats? Well, according to him your girl keeps calling him, “K-I-N-G.” - EL KETER BEN TZADIK
So much more than sample fodder for Jay-Z. - EL KETER BEN TZADIK
After locking down my iPod with their Hot Chip/Devo-inspired singles “Radio Ladio” and “Heart Rate Rapid” they flipped the script on some “Erotic City” vs. “There Is a Light That Never Goes Out” shit on “Heartbreaker.” And the album, the first after their transformation from solo act to band, exhibited even more versatility. - EL KETER BEN TZADIK
This album was “a call to arms, to live, and love, and sleep together...” and I heard it, loud and clear. - EL KETER BEN TZADIK
Dudes went from “C‘mon of Montreal, why did you have these clowns open for you?” to “HOLY FUCK THIS IS ONE OF THE BEST ALBUMS OF 2008” in one year. Well done fellas. - EMEYESI
This long-awaited follow-up to 2006's ‘Meme’ was soulful and understated. - EL KETER BEN TZADIK
Hey, I got my favorite sweatshirt on too! - EL KETER BEN TZADIK
Lætitia Sadier's solo project sounds like Stereolab, en français. - EL KETER BEN TZADIK
Half this album screams 80‘s, from the name of the band to song titles like “I Told Her On Alderaan,” and the lead singer Gruff Rhys sounds like a mixture of Elvis Costello and Peter Gabriel. The other half is trapped in a Pop or Rap time warp and it got me wondering if my iPod was on shuffle. It was not. Favorite song is “I Lust U.” - MISS BEHAVIN’
Like The Gossip, if they were two thirds African American and more enamoured of The Slits and ESG. - EL KETER BEN TZADIK
Shawn Jackson and Newman from Giant Panda brought it back to the era of the original Carter on this one. - EL KETER BEN TZADIK
I never even heard this album. Take that blogosphere! - EL KETER BEN TZADIK
First I'd like to thank 12XU for letting me know these guys were doing a FREE show at Clark University. ‘Nouns’ was one of my go-to albums for my morning commute. - EMEYESI
“It's like one big long funky of Montreal bassline with all kinds of of Montrealish changes in the middle” © Me - EMEYESI
After years in seclusion Zach de la Rocha re-emerged, playing a keyboard like Tom Morello does a guitar alongside former Mars Volta drummer Jon Theodore in this duo that picked up the molatov cocktail right where Rage Against the Machine left it. - EL KETER BEN TZADIK
As gross and awesome and bass-heavy as the name suggests. - EL KETER BEN TZADIK
Dude put together this EP as a Valentines present for his ladyfriend. When I listen to it I close my eyes and make believe that I am that ladyfriend. - EMEYESI
The sexy single “Antibodies” set the bar so high that the album never seemed to register. - EL KETER BEN TZADIK
It would‘ve sucked if after more than a decade between albums Portishead had come back on some bullshit. They didn’t. In fact, they delivered an album so incredible I can almost comprehend how it might‘ve realistically taken them ten-plus years to record it. - EL KETER BEN TZADIK
Well worth the wait. So good. I missed you Portishead. - EMEYESI
Much-delayed, but refreshingly un-wack sophomore solo album from the former A Tribe Called Quest chief. If Tip can do it I don't know why more of the Hip-Hop heroes of my youth can't put out decent records. - EL KETER BEN TZADIK
Kinda like Santogold, only caucasian, and more indie-cutsie. - EL KETER BEN TZADIK
An affiliation with Feist didn't help this Let It Die-like debut from a California-by-way-of-Sweden duo attain Apple commercial ubiquity. But their breezy blend of sunshine-drenched Soft-Rock, Indie-Disco and Folk-Pop was just as infectious as their Canadian homegirl‘s. If you liked Lykke Li but don’t know about Rubies you need to get hip. - EL KETER BEN TZADIK
I ♥ Santogold - EL KETER BEN TZADIK
Heck yes! Santogold ruled 2008. - EMEYESI
Deheza sisters...Mmmmmmm! Oh, this is about their album with dude from Secret Machines? Right...Really liked it. - EMEYESI
I said everything that needed to be said about this record in last year's “best of,” but then they had to go and make it even better. - EL KETER BEN TZADIK
Yes, a possibly fictional recluse with a beard and a dude with an affected British accent who wears a tiger mask actually made an album together. - EL KETER BEN TZADIK
Whoa, there was a Shawn Lee and Clutchy Hopkins collaboration?! - R-UH
I went kablooey for Zooey. - EL KETER BEN TZADIK
Wait...do I hear English? Yes I do. Awesome. - EMEYESI
Not sure what the title means, but this album seemed to start off more energetic than other Sigur albums. I like groups who can put on a show of instruments and vocals and leave me wanting more. - MISS BEHAVIN'
This album was so strange and awesome that I actually stopped caring about her more famous sibling in spite of her posterior. - EL KETER BEN TZADIK
A major return to form and a huge step in maturation for Mike Skinner. - EL KETER BEN TZADIK
They sampled Joe “Bean” Esposito for chrissake! - EL KETER BEN TZADIK
I was kinda glad there was some hipster/blogger backlash against these dudes since it meant I could enjoy songs like “Hang Them All” in peace. - EL KETER BEN TZADIK
Most imitated band of 2008 by Imageyenation members? The Teenagers. - EMEYESI
Is there a song with Kimya Dawson on here that's every bit as heart-string-tugging as the Moldy Peaches joint from ‘Juno?’ Yes there is! - EL KETER BEN TZADIK
I played “On My Shoulders” and “The Bridge is Broken” on repeat for an entire week. - R-UH
Like The Spice Girls if they were Swedish, and good, and inspired by old-school Girl-Group Pop, chick-centric Pop-Punk & New Wave from the ‘80s and the formative years of Indie/Alternative music. - EL KETER BEN TZADIK
Now I enjoyed this album...But my aunt? She ENJOYED this album. Last year it was Benny Sings, but 2008 was all about The Ting Tings for Auntie Kath. - EMEYESI
I may be sick of the iPod song “Shut Up and Let Me Go” but “Great DJ” is rather catchy, and one of my favorite songs that came out this year. - MISS BEHAVIN'
Black Moth Super Solo... - EL KETER BEN TZADIK
Not as energetic and awesome as 'A Lesson In Crime,' but it grew on me. - EL KETER BEN TZADIK
I wear a shirt with this guy's name on it all the time. I don't do that for just anybody. - EL KETER BEN TZADIK
As if an EP of tunes built around samples of Hardcore Punk tracks wasn't enough, he had to go and drop one where he spit over Surf-Rock instrumentals. There's a reason I wear the aforementioned shirt...And it's the same reason dude's one of my favorite rappers...HE'S DOPE!!! - EL KETER BEN TZADIK
“Re-mem-bah bwoy you‘re a su-pah staaah... ” - EL KETER BEN TZADIK
Dude came out on some Just(independent) Timberlake falsetto shit. - EL KETER BEN TZADIK
You bet your ass I'm shouting you out, for making one of the best goddamn Rock 'N Roll records of the New Millennium! - EL KETER BEN TZADIK
Dear TV On the Radio, I really enjoyed this album and how diverse it sounded. Sometimes it's a risk adding a bunch of flavor spices to a meal but you make the recipe...err...album digestible. - MISS BEHAVIN'
I used to like bands whose lead singers looked like beard-faced Cereffusion. Now I like bands whose lead singers look like baby-faced Cereffusion. Dude is ahead of the curve. - EMEYESI
I wanted to dislike Wale, but guest verses for Budos Band and the 45 King turned me around. Well that and he dropped this classic Seinfeld-themed mixtape. - EL KETER BEN TZADIK
Another free mixtape/album joint that I would have had no problem paying for. Wale crushed it in 2008. - EMEYESI
I don't have a garage, but if I did I would have torn it down from rocking out so hard to this album. - EL KETER BEN TZADIK
Alternative rapper turned Alternative rocker turned Alternative Rap-Rocker Yoni Wolf never ceases to amaze. - EL KETER BEN TZADIK
So Miss Behavin‘...You thought Crystal Castles sounded like a video game, huh? - EL KETER BEN TZADIK
I am in “dept” to Serengeti for putting out so much consistently wonderous music, including this decidedly dour, Casio-toned collaboration with Tony Trimm and Renee-Louis Carafice. - EL KETER BEN TZADIK
“New Rave” just got even “newer.” - EL KETER BEN TZADIK
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CODE
15 Minutes To Live
The Awesome Hall of Fame
Beats Per Minutez
Best Week Ever
Beta Kerosene
Birthday Cake Nation
Blame It On Steinski
Brooklyn Vegan
Chances With Wolves
Chilly-O
Cocaine Blunts
Compound 440r
Cool Hunting
Cute Overload
Deadspin
Douglas Rushkoff
Dreamy Rantings of a Bourgeoisie Revolutionaire
Drunken Stepfather
Eclectic Hermit
The Fader
Fluffy Lychees (NSFW)
Fly
Friends of Friends
Fuck Your Blog, Son
The Full Clip
Ghost Ramp
Grandgood
Hai Karate
HBML Fresh Garbage
Hel Looks
Herfection
The Home of Hump Jones
I'm So Chris-py
In a Cyclone of Stones
In the Valley
Interplanetarians
Jewschool
Jonn Nubian
Keepin' It Right Radio
Kicks-n-Jams
Lady Chavez and Fluffgirl
Life in text Format
Linear Beanfield Carousel
The Mangina Monologues
Media Assassin
The Megatron Don
merkley???
Miles of Mental Debris
Money, Hoes, & Clothes!
Music Ramen
Music Thing
News of Ryan Shull
Oh Word?
Overheard In New York
Palms Out
ponyXpress (NSFW)
The Pop Culture Wastelands
Post Secret
Potion Lords
Put Me On It
Radio Belly
The Rebel E
Robotobots
Rumblestrip
Skinbyrd
Snow Day Music
Step Up
Subterranean
Table of Mal-Contents
Target Queen
That Ol' New York Rap
Things I've Bought That I Love
This is Process
This Recording
Threadbanger
Trolley Races
Uncrate
Notes From the Underground Bastard
Wifebeater
PEOPLE
Facebook
Friendster
Last.fm
MOG
MySpace
OkCupid
Twitter
PAPER
Arthur
Beautiful Decay
Blender
Complex
Cool'eh
Elemental
The Fader
Fancy
Frank151
Giant Robot
Heeb
Missbehave
ReadyMade
Remix
Spin
Stay Free!
Urb
Vice
Wax Poetics
Xlr8r
WAX
Dance Tracks
Darla
Dusty Groove America
Hip Hop Site
Juno
Mystery Train
Sandbox Automatic
Turntablelab
Underground Hip Hop
THREADS
5 & a Dime
Acapulco Gold NY
Adidas
American Apparel
aNYthing
Boundless NY
Commonwealth™
Concrete Wave
Converse
Design by Humans
Digital Gravel
Fresh Jive
Harputs San Francisco
Hellz Bellz
Huf SF
The Hundreds
ifa*
IHMDJ!
Jacks Surfboards
Johnny Cupcakes
Karmaloop
Kidrobot
King Stampede
Married to the Mob
Mishka NYC
Moose Shirts
Nike
Nike iD
Nike SB
Oddica
One Anthem
The Originators
Recon
Ride the Rockett
ScumLife
The Seventh Letter
Shoe Biz SF
Stussy
Threadless
Timberland
Tokidoki
True Clothing
Undefeated
Worn Free